Laotian

Khmer or Cambodia or Kampuchea

wedding

Tuesday, December 23, 2008 9:33


Indigo batik captures that natural look
Tarko Sudiarno , The Jakarta Post , Yogyakarta



Japanese businessman Nakanishi from the Japan Blue fabric company mixes natural dyes used in batik making in Yogyakarta. (JP/Tarko Sudiarno)


The mixture of extract of indigofera leaves with water in a plastic bucket looked blue, with a big lump in the middle.

Nakanishi, a fabric businessman from the Japan Blue company stirred the mixture with his hands, with no gloves. After a while, it turned indigo blue.

He dipped his finger into the light blue mixture, licked it and said, "This is a good dye. It's not hazardous to health."

That particular afternoon, a group of Japanese from the Aikobo Group, and who love the indigo color, were surprised to see how Nakanishi used the indigofera leaves to make blue dye at the showroom of the Royal Silk Foundation in Yogyakarta.

For some people, the dye was revolting, but not to Nakanishi. He thought of it as a dish in a restaurant that he had to taste first to find out how good it was.

For him, making a dye from natural substances is nothing new. Every day in Kyoto, Japan, he does the mixing himself.

Although he comes from a rich family, making a dye is not a humdrum manual task he is embarrassed to do.

Not many people realize Nakanishi, whose fingernails are blue from exposure to indigofera every day, is a successful businessman.

The dyeing demonstration was one of the ways to impress Japanese lovers of indigo fabrics on the authenticity of the coloring process, when they visited Yogyakarta for two days.

Members of the Aikobo Group wanted to see the process for themselves, especially its application to batik making.

Yogyakarta-made batiks are gaining greater popularity in Japan, particularly the hand-made batiks in indigo colors.

"In Japan, people now like fabrics which use natural dyes," said Masato Kuroda, the advisor to the Royal Silk Foundation.

"Batiks in indigo colors are in great demand. Many Japanese women use Yogyakarta batiks for their Obi or traditional dress."

The back to nature concept, through using natural substances, applies not only to the dyeing process but also to the creation of the fabric, she said.

In Japan, batiks made of silk and cotton are in great demand, for health reasons.

"A silk dress will keep you warm when you wear it in winter. On the other hand, it will absorb your perspiration in summer," Kuroda said.

"People are averse to chemical coloring and prefer fabrics using natural coloring to keep their skin healthy. The use of indigofera leaves for dyeing also protects you from mosquitoes. Fabrics with indigo coloring are good for babies and children."

Yogyakarta batik makers are keen to seize upon increasing awareness in Japan of the need to go back to natural materials and natural coloring for clothing.

Currently, at least three companies in Yogyakarta are tapping into this market opportunity: Rumah Kapas, PT Yarsilk Gora Mahotama and Rumah Batik Nakula Sadewa.

"Our natural silk batiks, made from silkworms, can now be found in two major supermarkets in Japan and have enjoyed a good response from Japanese consumers," said Fitriani Kuroda of PT Yarsilk Gora Mahotama.

The company's products have even been given the Inacraft Award 2008 for best quality fabric and textiles.

To develop these natural silk-based products, Royal Silk Foundation and Garuda Indonesia are cultivating cashew nut trees in Imogiri, Bantul regency, Yogyakarta, to breed silkworms as part of the One Passenger One Tree program.

Every Japanese tourist visiting Yogyakarta on board a Garuda airplane must plant one tree in the Bukit Garuda area in Karangtengah village, Imogiri.

The ticket of every Japanese tourist visiting Yogya on board a Garuda 'plane includes the cost of one tree.

The indigo fabric lovers from the Aikibo Group also planted cashew nut trees there.

In between the cashew nut trees, indigofera trees have also been intercropped, to meet market demand.

These indigofiera trees, which grow as shrubs, are expected to meet the short-term economic needs of the farmers in Karangtengah before they can harvest the cocoons of the silkworms living on the cashew nut trees.

"We hope our strength in the Japanese market will impact favorably on the welfare of farmers in Imogiri," said Fitriani.

Some head ware:

MIAO(HMONG) TRADITIONAL CLOTHES.

Singapore

this one is very unique and beautiful!
a combination of several kinds of chinese tradditional dress

No it's not. It's a combination of Indian, Chinese, and Malay elements. The Chinese element is obvious from the red qipao, the head ornaments (kembang goyang) and the three brooches (kerongsang) are Malay elements, and the flowing fabrics are of Indian.

Much evidence comes from murals etc and there is a distinct lack of nipples and bellybutton in Burmese art .

My theory is that we are not particularly Hindu ( and HIndu iconography features very little as opposed to Buddhist iconogarphy ) as the Burmese civilisations of the Mon and Pyu ditched Hinduism fairly early ( possibly as early as 2nd century BCE but certainly after 5-6th cebntury BCE ) compared to the rest of Indianised mainland SE Asia who were children of Hindu Angkor . The image of breasts midriff etc I would most certainly associate as being very Hindu .
Here is Burmese Inwa ( Ava ) dress in art from about 14th through to late 18th Century




















I'll post some art from the Bagan era for comparison and that from the last dynasty . Essentially the Burmese liked to cover up if they could afford it .
In fact look no further than each country's interpretation of the Ramayana , classical dance and wedding outfits as a good representation of national dress from bygone days