QUOTE(pecotosumairu @ Dec 5 2006, 02:16 PM)

It’s been awhile since I last saw it. It’s a story about three women from different generations. They were mostly telling their own life story living in the US. I just thought it told good image of how most Asian American women had some residing hardships and cultural conflicts.
Here’s the movie if you want to know more:
http://www.imdb.com/title/tt0107282/i really hate that movie......here's why 99% of asian guys hate that movie and aberwhitewash Amy Tan..
"It does nothing to enhance or balance the prevailing image of Asians in the American media. Instead it caters to the most chauvinistic impulses fueling Hollywood portrayal of Asians. Not to beat around the bush, the movie caters to two groups: Caucasian men and Asian women who are discomfited by Asian men. And it does so entirely at the expense of Asian men, and ultimately, of all Asian Americans.
The movie is premised on the suffering of four Chinese mothers whose lives are so un-credibly pathetic (bathetic?) that they verge on the comical. How many Asian American women have been forced to abandon two daughters by the side of a road, drown an infant son to avenge the cruelty of her playboy husband, or forced into concubinage by her own malign family? Not one of these unfortunate women's stories contains a single sympathetic Asian male character. Their tales of woe depict Asian males as crass, cruel, weak or simply non-existent. Sounds familiar, doesn't it? It's typical of the worst products of white Hollywood exploiting Asians as a handy foil to demonstrate the superiority of white America.
Here's the payoff. Each of these unfortunate women bears a daughter who, to a greater or lesser degree, is given the option of suffering her mother's sorry fate by proxy or escaping this whole gruesome Asian scene by marrying a white man. Well, what is a rational girl to do?
Of the four daughters, the two who are more spirited and physically attractive marry Whites. Both white husbands are successful and attractive notwithstanding one or two cute, understandable flaws corrected in the course of the movie. One is a lawyer, the other is the dashing scion of a publishing family.
The third of the daughters -- the simpering loser of the bunch -- is given an Asian husband who is financially successful but pathetically miserly, geeky and cold. He insists on maintaining separate checking accounts and keeping a list on the refrigerator of every item of grocery either of them buys so that at the end of each month they can split the total. I found this character not only offensive but downright un-credible. "